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Views Read Edit View history. Reverted note additions to measures 30 and 33, leaving only notes occuring in original tablature.
Diferencias sobre ‘Guárdame las vacas’ (Narváez, Luys de)
The most notable change is in measure narvez, which I used to play with a fourth-position barre. The second of the two songs is wrongly attributed to Gombert, it is a work of Jean Courtois. As usual, fingerings are only suggestions; you may ignore them and choose your own. Although still a transcription and arrangement for the guitar and not a literal vihuela tablature transcription, this version should be more readable and somewhat truer to the original vihuela tablature.
Today, quatro is spelled cuatro. The new fingering uses the thumb more and is more playable. I’ve retained the previous version generated with Sibelius for those who want tablature or wish to compare Sibelius and LilyPond output.
In the process of retranscribing and renotating the piece using LilyPond, I made some changes to fingering. Volumes four to six have mixed content.
Guárdame las vacas by Luys de Narváez –
My transcription allows you vacaa play the song in the guitar’s normal tuning.
Confusion arises because the immediately following work in the original manuscript, Otras tres diferencias hechas por otra parteis not listed on the title page or index. Guardame las vacas and Conde clarosboth in volume six.
He was born in Granada and the earliest surviving references to him indicate that as early as he was a member of the household of Francisco de los Cobos y Molinaa well-known and very successful patron of the arts who was the Secretary of State and commentator for the kingdom of Castile under Charles V.
He is also notable for being the earliest composer for vihuela to adapt the contemporary Italian style of lute music. Changed beaming to match metrical changes. Actively Maintained LilyPond Output. Renotated using LilyPond, making some notational improvements along the way. If you can play Message in a Bottleyou shouldn’t have a problem with the fingering. It consists of a set of variations on a Spanish folk theme. This page was last edited on 21 Augustat They are characterized by smooth, competent imitative writing in two and three voices.
Other than the guitar-specific fingerings including left-hand legatothe music the notes themselves should now match exactly the original tablature. Roman numerals in parentheses are not original and are provided for convenience only.
The intabulations are of high quality, but without any particular distinguishing features. There is some debate over whether the guardaame composition consists of four or seven variations. Apart from melodic variations, there are also two sets on ostinato harmonies: The new version matches more closely the original vihuela tablature by playing the measure in first position.
If you have trouble with the left-hand fingering for the scale run in measure 22, gardame have to come up with an alternate fingering.
Luis de Narváez – Wikipedia
As you can tell from the revision history below, I’ve made other changes over time, eventually reverting two instances where I had added extra notes to form chords to make a note sound fuller.
From Wikipedia, the free encyclopedia. The third volume of the collection is dedicated exclusively to intabulations luy works by other composers: Changed some fingering in measures 30, 32, and 33 to match ghardame tablature.
Instead, the title page refers to siete diferencias de guarda me las vacas.
The remaining music comprises villancicos, romances, and a Baxa de contrapunto.